Paper Museum: A Table of Contents

those belonging to the artist
cyborgs
fabled ones
trained ones
of, relating to, or characteristic of plants
those included in this classification
those drawn with a very fine synthetic brush
stray ideas and frogs
twins
near perfect symmetrical things
those made with mechanical assistance
food for thought
et cetera
those that have just broken the vase
those that from afar look like me

The Life of Objects
Series of charcoal and pencil drawings on toned paper
Studio view (left): still life and drawing, June 2016

Unique graphite and charcoal drawing over archival pigment prints of the artist's original drawings on watercolor paper. Concertina book format.
2018-22

Series of small charcoal drawings
16 x 12.5 inches

Drawings completed while a visiting artist at the American Academy in Rome (2015). Works are from sculptures in the collection of the AAR and from the Vatican Museums.

Thinking in Rome. QuickTime movie. Two 20-foot long ink paintings completed while at The American Academy in Rome. Images find their origin in Italian buildings, monuments, frescos, mosaics, and museums, and in collection materials at the AAR.

Gouache and watercolor with color pencil on paper. 16 x 20 inches.

Gouache and watercolor with color pencil on paper. 16 x 20 inches.

Inspired by a Chinese-style red lacquer circular shelf owned by her Swedish grandfather and given to her as a child, Johnson takes this primary form into new territories. More about the absence of things, these imaginary shelves are designs for building a modern cabinet of curiosities. Tapping into the autobiographical, the artist sketches initial models while traveling. The first set developed while sitting in cafés and bars in Oxford, England, and the second set came about while the artist spent a winter sojourn in Venice, Italy. Designs start in small notebooks aided by things at hand - tracing bar glasses for circles and using menus for rulers. Cultural objects appear within some of the shelf designs, including such things as Italian pastries and confections seen in cross-section views, art works visited while traveling, and stage set props from T.V. game shows.

Like a fantastic menagerie or bestiary, when seen together these works create a sort of "paper museum," a special collection of natural and artificial things in which the typically distinct worlds of the animate and inanimate are now conflated, compressed and fashioned into one new whole.

The Bird History Drawings (1992-93)
Charcoal drawings on Folio paper
50 x 38 inches each

India ink on paper. 22 x 30 inches. 1989. Studies for large scale paintings.